The architectural characteristics of Chichen Itza and that have a direct relationship with the Mayan Toltec style are: "El juego de la Pelota", "El Castillo", "El Grupo de las Mil Columnas", "El tzompantli", El Edificio de las Aguilas", "El templo de los Guerrerros", and "El Mercado". All of these buildings have the same decoration motives found in Tula. The most frequent representations are warriors and Quetzalcoatl.
The main attraction is the central pyramid, a square-based, stepped pyramid that is approximately 75 feet tall, El Castillo de la Serpiente Emplumada, which means "Castle of the Plumed Serpent," and is pictured at the top. The plumed serpent is a popular deity in various Mesoamerican cultures. "El Castillo" is surely the place where the ceremony of the descent of Kukulkan was held. The pyramid has special astronomical layout so that a game of light and shadow is formed. On March 21st the body of the serpent metaphorically descends from the temple on top of the pyramid and arrives at the heads at the foot of the staircase.
Just beyond El Castillo you will find a large ball court where Mayan men played a game called pok ta pok. Anthropologists believe that the object of the game was to hurl a ball through a ring that was mounted on a wall, seven meters above the ground. The largest Ball Game in Mesoamerica is 168 meters in length and 70 meters in width.
The Temple of Chac Mool, upon whose walls and interior pillars there are richly colored carvings of plumed serpents, warriors, and priests. The upper building only partially reflects its true grandeur. There are three sculpted masks with extremely long noses on the outer walls and at the corners. On the inner walls of the vaults there were murals with scenes of war and daily life. The altar tables and benches may have served as seats and thrones for dignitaries.
In the "Templo de los Guerreros" there is a temple on the top part where the entrance columns are typically Toltec. Another one of the buildings that have a Toltec seal without is the "Muro de los Craneos". These buildings were destined to be the mausoleums of the tying up the years. Every 52 years the ancient Mayans and other cultures would tie up a sheaf of years to end a cycle. Platform of Venus or of the Dance, Sacred Well or the Well of the Sacrifices, Tzompantli, that displays figures of skulls in relief.
In the Central Group of the Ruins you can find:
The Red House or Chichan Chob, the name of this building, situated upon a high platform, is derived from the fragments of red paint that were found in its interior. The word "Chichan Chob" means "small holes" and probably alludes to its Lime roof comb. The structure is comprised of an antechamber and three rooms and has a sculptured hieroglyphic inscription in the main chamber. The building must have had a religious and public use, since there is a Ball Court joined to its eastern side, with bas-reliefs in the Maya-Toltec style.
The Caracol or Observatory This structure is known as the Observatory due to its shape and some possible astral associations, since astronomical events concerning the planet Venus and the setting of the sun during the three windows in the upper section. The name "Caracol" (conch) comes from the spiral stairs that lead to the upper part of the building.
The Church, This small building with only one chamber owes its name to its proximity to the so called "convent" of the Nunnery and to the exuberant decoration on its upper facade, which rises even higher due to its lofty roof comb. One can observe large areas covered with the original stucco on the Grecian frets of the central panel. "Bignosed" masks constitute the main element of the facade, with a seated figure, god or ancestor integrated upon the nose of the central mask. There also are figures of the four carriers of the corners of the sky, "bacabes" or "pauahtunes", kneeling in the side panels. It’s appearing that the builder had certain difficulties in placing the three large masks rescued from earlier buildings on the roof comb and opted to suppress detail. Up to now, it is not known what the function of this building was, and in spite of the overloaded decoration of the building, it is one of the best architectural examples of the Puuc style in Chichen Itza.
Temple of the Carved Panels, the name of this building comes from the relieves carved on the north and south walls of the colonnade, depicting scenes of numerous people, plants, and animals, both real and imaginary, which are dominated by two warriors. The building is made up of a temple erected on a slab foundation with a colonnade in front of it. The offerings discovered during exploration of the fire - related rituals.
All areas can be seen comfortably in one day. Also you should enjoy the wonderful Light and Sound Show that is held every evening. At the entrance to Chichen Itza, there is an informative museum, a dining room, clean restrooms, a few gift shops and vendor stands.
0 comments:
Post a Comment